OPINION: When brands should speak up on Brexit

Andrew Clark, recently appointed public affairs director at Burson-Marsteller and a former deputy business editor of The Times, identifies four key questions business leaders need to ask themselves before wading into this potentially “toxic” debate. He says there are clear pros and cons businesses should consider before stating their views on whether Britain should remain in the EU.

Ping! An email from the Financial Times dropped into the inbox of every FTSE 100 chief executive recently. It demanded their view on the thorny issue of whether Britain should remain in the European Union.

Most responded with roundabout forms of words equating to “no comment”. So toxic is the issue that some even refused to answer a follow-up question on whether their companies were making any contingency plans for a possible Brexit scenario – a seemingly sensible, and essential, piece of corporate housekeeping.

But, should business leaders should enter the fray? Is it worth entering the debate?

For many, the instinct is to stay mum: in such a visceral argument, the argument goes, it doesn’t pay to upset a sizeable chunk of your customer base. It could open up your own business, trading relationships, and employment practices, to unwelcome scrutiny.

Advocates for tact and discretion point to the 2014 referendum on Scottish independence, in which many of those who stuck their heads above the parapet were viciously attacked.

As a journalist during the Scottish referendum, I remember talking to Paula Bell, chief financial officer of Scottish transport company John Menzies, who said her company felt independence would be bad for business, and that the vote was an unwelcome uncertainty. When I reported her remarks, Scottish nationalists rushed out a snarky statement pointing out that she wasn’t Scottish, that her previous job had been on the distant south coast of England and suggesting that she was experiencing “culture shock” by moving so far north. So much for constructive debate.

There’s a difference, though. The Scottish referendum was, at its core, a question of nationality and identity. The European referendum is rather different – although it has the capacity to excite flag-waving nationalists, it is fundamentally about a trading relationship, with economic arguments front and centre. An exit from the EU would undeniably have a direct impact, be it positive or negative, on thousands of British businesses.

The strongest pillars of the “in” case – access to export markets, free movement of people and capital, stability and security – are built on economic foundations. So are the cornerstones of the “out” case – liberation from regulation, innovation, entrepreneurship and the Euro’s dismal failure.

In formulating a position – or non-position – on Europe, business leaders should ask themselves four questions:

1. Can I draw a direct, and tangible, link between the UK’s EU membership and the fortunes of my business, or my industry?
2. Can I present this as the view of my company, rather than my personal view?
3. Does my business have anything to hide in terms of its ethics and business practices?
4. Am I willing, and adequately prepared, to argue the point, and defend my position?

Your argument will be far stronger, and will attract more attention, if you can point to specific EU initiatives, be they positive or negative, that have touched your industry.

Vague declarations of support for one side or the other, without a specifically tailored rationale, are much more vulnerable to attack and add little originality to an already noisy public dialogue.

If you are going to enter the debate, then backing from colleagues is crucial. It can be difficult to get collective agreement around a boardroom table on a position. But it’s worth it. It really doesn’t make sense to intervene in the public debate by speaking in a “personal capacity”. The media won’t respect the distinction.

In all cases, think carefully about your business’s weak spots before you open your mouth. By wading into a political issue, you are inviting journalists and campaigners to look for ways to undermine your moral standing.

If a business is using a “Dutch sandwich” off-shore tax arrangement, if it recently retrenched from European territories, or if its employees are protesting over zero-hours contracts, it might be as well to keep out of the limelight.

And if you’ve made inconsistent statements in the past, you may find yourself having to explain your change of heart.

Finally, it’s crucial to be willing to engage in a discussion, to listen to others and to defend your stance.

Sticking to a single agreed line won’t last for long in a fast-moving, dynamic four-month campaign. You need to have thought through the issues and be prepared for debate. The purpose, after all, of breaking your silence is to seek to influence others, for the good of your business. That will require persuasive skills beyond a single signature, letter or statement.

This is an edited version of a piece that originally appeared on the Burson-Marsteller web site.

VR company Visualise appoints Limelight

Limelight has been appointed by Visualise, a VR production company, to raise its profile.

The B2B agency has been tasked to raise awareness of Visualise using thought leadership and media relations. It is also set to showcase the content it delivers across multiple sectors.

Limelight will profile Visualise’s senior team, including co-founder Henry Stuart, as well as its extensive work with clients such as Audi, Thomas Cook and O2.

Susanna Simpson, founder and managing director of Limelight, said: “Visualise is a company at the top of its game, producing truly innovative content. It’s so exciting to have a client working in the VR space at such a pivotal time for the industry and we are thrilled to be partnering with them to ensure they get the recognition they deserve.”

Stuart said: “Limelight’s commercial creativity and entrepreneurialism makes it the perfect partner to communicate our success. This will keep us at the forefront of the industry just as the sector is erupting, enabled by the release of consumer headsets this year. We are looking forward to working with the team to showcase our work within key sectors and educate the market on the breadth of capabilities VR tech and experiences can offer.”

 

Opinion: B2B brands should embrace video

By 2019, video will make up 80% of all consumer internet traffic, according to last year’s report by tech giant Cisco. Yet a recent survey, commissioned by the Web Video Marketing Council, showed that the medium lags behind in B2B. Peter Fergusson, former head of commercial video at The Telegraph and CEO of Nemorin Creative, explains the opportunities for business-facing brands and agencies looking to harness video in communications campaigns.

During his keynote at Mobile World Congress (MWC) two weeks ago, Facebook CEO Mark Zuckerberg predicted that within just a few years, the vast majority of content consumed online will be video.

Stats coming out of tech giants like Cisco – which predicts that by 2019, nearly a million minutes of video will cross the internet every second – back this up, but acceptance of the medium isn’t universal. Speaking to a range of B2B brands, the Web Video Marketing Council reported budget limitations, time, ROI, and the lack of in-house expertise as the key challenges to producing video content.

For corporate PRs and brand guardians looking to monopolise on the rise of video, the proliferation of platforms has provided a wealth of opportunities to reach more stakeholders with little investment. Here are three considerations for B2B brands and their guardians looking to embrace the medium:

Video drives more engaging and more immediate thought leadership

For years, media organisations like Bloomberg have skilfully used the immediacy of video to deliver context and expert opinion around breaking news stories. This ability to react in the moment and to deliver engaging thought leadership style video content is now available to all brands – especially non-consumer companies that can use this medium to demonstrate expertise outside of their direct target market.

Affordable video propels more diverse usage

Live streaming, via Periscope or Meerkat, is already with us but with 5G on the horizon and the rolling out of Facebook Live, live streaming is set to become the norm. Live Q&As around a product launch, for example, will be accessible to most brands and with a small amount of equipment and media training, PRs can help to deliver and measure this effectively.

PRs are central to the creative process and can help B2B brands understand which video product will deliver the outcomes they want. Video will impact across the entire campaign, so it is important to plan the video strategy from day one. This could involve live streaming or virtual reality (VR), but equally it may be an animation designed specifically for an Instagram or Twitter campaign. In the B2B sector right now, how-to, show and tell, explainer and pitch videos are highly effective in creating engagement

VR will add scale to campaigns

The media feeding frenzy around VR and Augmented Reality (AR) will provide good opportunities for publicity for brands in the short term, but, looking ahead, B2B companies will profit immensely from virtual environments. Distance and scale will cease to be major barriers; “try before you buy” will provide more immersive experiences for overseas customers and international comms teams can collaborate more closely on projects as AR creates virtual workplaces that reduce overheads in the supply chain.

Adam Harwood to join AAT

Adam HardwoodThe Association of Accounting Technicians (AAT) has appointed Adam Harwood as media relations manager.

Harwood is set to deliver media coverage across all platforms and develop campaigns designed to increased awareness of AAT and the issues it represents, specifically in the areas of careers advice, social mobility, taxation and general finance.

Previously, he was PR manager at Octopus Investments. For three years, Harwood also worked as PR specialist for wealth manager Towry.

Harwood said: “The AAT works tirelessly for the benefit of its 135,000 members across a series of issues including education, social mobility, accountancy and taxation, and its PR team has a rich pedigree in developing newsworthy campaigns that reach key audiences. I am relishing the opportunity to meet with new journalists in some sectors I have previously done less work with, along with maintaining strong links to the personal finance industry.”

Social Communications brings in Chris Walker

Full service public affairs agency, Social Communications, has appointed Chris Walker to head up its growing PR division.

Walker is set to help agency directors John Quinton-Barber and Caty Cartwright grow Social’s public relations offering.

The Manchester-based agency, which was founded in 2013, has three core services: as well as PR it offers planning consultation and the services of its in-house creative agency.

Walker said: “I’ve joined Social Communications after buying into John’s vision for the growth of the business in the next five years. The agency is not the biggest yet, but our aim is to become the best-regarded integrated PR, creative and planning consultation agency.”

Quinton-Barber said: “Bringing Chris to Social Communications is a clear indication of our intention for further growth in 2016.”

Walker joins Social Communications from The BIG Partnership where he led the agency’s English PR team, based in Liverpool.

Social Communications currently has a team of 11 consultants. Its list of clients include Tesco, RBS and Places for People.

Frank wins Right Guard brief

Deodorant and shower gel brand Right Guard has appointed Frank as its retained PR and social agency, following a competitive pitch.

The agency will deliver a series of online and social campaigns for the Henkel-owned brand, as well as handle all of Right Guard’s social channels and PR activity.

The campaigns will be aimed predominately at a male audience and deliver against the brand’s “Start Your Day Right” platform.

Ben Haxworth, head of marketing for Right Guard, said: “We recognise that for our consumer, social media and online is where they spend most of their time and so this is the perfect platform to drive engagement with our ‘ Start Your Day Right ‘ platform.

“The team at Frank impressed us with their smart thinking and game changing ideas – we’re thrilled to have them on-board to keep us driving forward.”

Alex Grier, MD of Frank, added: “Right Guard is a powerful brand which we’ve admired since its Hands Up days. We’re delighted to be part of the journey for this great brand and have big plans to make Right Guard resonate with a whole new generation.”

The Telegraph’s former medical editor joins NICE

Rebecca Smith, former medical editor for the Daily Telegraph, has joined the National Institute for Health and Care Excellence (NICE) as head of media.

Smith was medical editor at the Daily Telegraph for seven years before leaving in December 2014 to set up her own consulting business, providing strategic advice to pharma and consumer PR agencies for just over a year.

Before the Daily Telegraph, she also did stints at the London Evening Standard and the Manchester Evening News.

Having spent more than ten years in medical journalism, Smith broke a string of world exclusive stories including the world’s first face transplant.

She also worked on major news events, including the Manchester Commonwealth Games, 7/7, and the London Olympic Games. In health, she helped force policy changes in data transparency, championed junior doctors and led the agenda on competencies of overseas doctors and the European Working Time Directive.

In her new role, Smith will manage NICE’s ten-strong media relations team, with a brief to develop working relationships with traditional and new media, manage content for distribution across a range of platforms and enhance social media strategies.

She will report to John Davidson, associate director, external comms and media, at NICE.

Travelex hands global brief to Hotwire

Travelex has appointed Hotwire its lead global PR, creative and content agency, as the foreign exchange specialist looks to enhance consumer engagement around its brand and products ahead of its 40th anniversary this year.

It appointed Hotwire to work across the UK, Germany, Netherlands and US, with the UK office acting as the central hub for the development of Travelex’s content.

The Hotwire team will also raise the profile of this content across paid, earned, owned and shared channels, as well as launch two major Travelex products this year.

Hotwire won the contract, without a competitive pitch, following its successful work on two projects around Travelex Supercard and Travelex Money App last year.

Megan Landauro, global head of PR at Travelex, said: “We were looking for an agency which could deliver killer, yet strategic and measureable, PR ideas to address our ambitious business objectives for 2016.

“Hotwire’s engaging ideas, super talented team and integrated approach to campaigns made it an easy decision to appoint them as our lead creative PR and content agency.”

Emma Hazan, UK deputy MD at Hotwire, added: “Travelex is a brand that isn’t afraid to push the boundaries and try new things. They are constantly looking at ways they can innovate to improve the customer experience. And this attitude perfectly matches with our own ethos to never rely on tried and tested methods in our approach to comms.

“We‘ll be working closely with the Travelex team to deliver highly targeted integrated campaigns that generate real consumer engagement with the Travelex brand to foster long-term buy-in and loyalty.”

Gorkana meets… Country & Town House

Lucy Cleland, editor of luxury interiors and lifestyle magazine Country & Town House, talks to Gorkana‘s Ben Spencer about how her readers appreciate the good things in life, the importance and high quality of the magazine’s supplement series and the difference between “good” and “not so good” PRs.

Country & Town House is a luxury interiors and lifestyle magazine coverinTown & Countryeditorg country and town living. What are some of the most popular areas in the UK that you cover?

Fundamentally, because we’re mostly distributed in London, our main editorial content derives from there. But we also cover tourist hotspots like Devon and Cornwall, Hampshire, Sussex and Kent.

Culturally there’s so much going on elsewhere, such as Liverpool, Manchester, Norwich, Glasgow, Edinburgh, and we’d like to include these areas, but our target audience tends to be South and South West.

Our image of our perfect reader is someone who will be getting out and about at the weekend. Not necessarily to their second home, but wanting to explore outside of London, especially in the aspects of culture and countryside, food, or craftsmanship.

You run a series of supplements throughout the year, such as Great British Hotels and Great British Brands. How have these supplements contributed to the success of Country & Town House?

They’re critical, and we see them as having a shelf life of at least a year. Great British Hotels, for example, is the only magazine supplement to exclusively focus on British hotels, and it’s edited by Daily Telegraph regular Fiona Duncan.

We also have School House. It’s published twice a year and is now the biggest independent schools magazine – invaluable for parents and schools alike. It’s edited by Annabel Heseltine and includes Rachel Johnson, Barnaby Lenon, Christina Odone and Josa Young as contributors.

We like to pull in the best of the best when we create these supplements. They’re a great add on and its something extra readers can keep.

How big is the editorial team?

We’re very small. On the editorial team, it’s me and food editor Anastasia Bernhardt. I also coordinate all the freelance editors who work on our various supplements. We also have a new online editor and an intern.

Tell us about your target audience.

They’re intelligent, educated and aspirational, but they’re not blingy or show-offy. They appreciate the good things in life, whether that’s a sunset on a Yorkshire moor or a quality cup of coffee.

Our target audience is about 25 to 55-years-old and leans more towards women, as there’s more fashion and style content that’s geared towards them. That said, our male readers like our property content and our features are targeted at both men and women.

We don’t base our editorial on how much something costs or who’s behind it. It’s about quality and style, and something interesting, quirky and British is very much at the foundation of what we do.

How would you describe your relationship with PRs?

There are great ones and not so great ones. The not so great ones tend not to know who you are, who your audience is or what your magazine is about. So anything that comes through on a mass mail saying ‘hello darling’ is not going to get very far.

That said, PR relationships are critical to everything that we do. Myself or Anastasia will have strong personal relationships with the good ones, and that’s when great content can happen. It’s definitely about the personal touch.

What should PRs keep in mind when making a pitch?

Come up with ideas that I can leap upon straight away, do a bit of research for themes that are coming out throughout the year and try to plan ahead. Doing your homework can go a long way.

Meeting face-to-face is always great but hard due to time constraints, but I know making those personal relationships is very important.

I prefer to be emailed rather than called. You’re welcome to re-email if you’re really determined – I know it’s your job. I don’t mind a follow-up phone call, but you need to know what you want to get out of the conversation.

Finally, as we look ahead, what is Country & Town House most looking forward to exploring in 2016?

We’ve got an exciting year ahead. We have a new publisher, Julia Carrick, who founded the FT’s How to Spend It, which is very exciting for us. Online is becoming a big part of what we do and we’re investing more in it. We currently do four supplements at the moment. By this time next year, I’d like it to be up on seven.

Alongside all this, we’ll continue to build the main magazine, which is the mainstay of the business. So it’s exciting, digital, social and all that. It’s going to be a big year.

Lucy was talking to Gorkana’s Ben Spencer

Gorkana Meets…Gilles Marchand and Radio Télévision Suisse (RTS)

Firstly, could you please sum up your career so far, as well as what keeps you busy professionally at the moment?Gilles Marchand

Originally educated as a sociologist at University of Geneva, I started working as a book publisher and then specialised in studies and analyses of written press, both daily and magazine, readerships.
Afterwards, I managed the Ringier Romandie Press Group (in the French-speaking part of Switzerland) which mainly publishes weekly magazines. I then joined the Télévision Suisse Romande as a director in 2001.
In 2010, we merged the Radio and Télévision Suisse in order to manage two television channels as well as four radio channels in one broadcaster, and provide a lot of interactive platforms. At the same time, I am also a member of the SSR (Swiss Broadcasting Corporation)’s Management  Board and an administrator for TV5Monde and Euronews.

Nowadays, I try to adapt the public broadcasting service model with the new digital environment in mind. To do this we need a total redefinition of the ‘established’ models of broadcasting, within a relatively tense political environment!

Finally, I also preside over the LMFP (Francophone public Media), a very interesting professional association which brings together France Télévisions, Radio France, the RTBF, Radio Canada, the Radio Télévision Suisse, TV5Monde, TV5Québec-Canada, Télé-Québec, France 24 and RFI.

Could you tell us a little bit more about your administrator role for TV5Monde ?

Basically, I contribute to making this international TV channel, to which we are deeply committed, even better known. As I preside over the Boards of Directors’ Programme Committee, I ensure there is a balance to the content – as it comes from France, Belgium, Canada and Switzerland. Multilateralism definitely is in TV5Monde’s DNA. We have a lot of contact, between partners, but also we have a lot of contact with the teams at TV5Monde.

What does a typical working week look like for you ?

My typical working week consists of three parts: the first third is dedicated to managing activities for the RTS, in Lausanne and in Geneva, with the assistance of my different teams. The second part is then dedicated to national activities for the SSR (Swiss Broadcasting Corporation), in Bern or Zurich, and requires me to work in German most of the time. Finally, the remaining third is dedicated to international projects such as TV5Monde and Euronews. But, also the UER (European Union of Radio and Television), which is active throughout all of Europe. In this part of the week, my main language tends to be English. At the same time, I also try to attend as many cultural and sports events, in which our television and radio channels are involved, as I can. Needless to say, I barely find enough time to get bored…

Although they share some common ground, PRs and journalists seem to have a sort of a love-hate relationship. What is, according to you, the key to a healthy relationship between these two sides of the media business?

Each must remain in the place to which he/she has been assigned and provide transparency. It is as simple as that. Both activities are legitimate as long as there is no confusion. PRs carry out a communications role, and it’s absolutely honourable when it’s clear. Journalists carry out an editorial role, which must not serve any other interest, other than the public interest. Problems start when the two activities are mixed and worst of all is when the whole thing gives birth to ‘Infomercials’.

Are you in contact with PRs ? And if yes, how do they contribute to the creation of content?

I am frequently in contact with PRs. Nevertheless, they play no role in the creation of our content. Best case scenario: they provide our journalists with documentation, but they must agree with the principle of the information being checked by us in the first instance.

 What is, for you, the best form of exchange with PRs (in terms of establishing contact and transmitting information)?

Definitely transparency: announce who you are working for and for what purpose. Never dissimulate the context in which the exchange takes place.

Radio remains the most trusted form of media in the eyes of the French, according to TNS Sofres’ 2016 Barometer measuring consumer trust in the media, which it carried out for the French national La Croix. With your background as a sociologist and your media expertise, what are your thoughts on this trend and how would you explain it ? Is the situation similar in Switzerland ?

It is very similar in Switzerland. To my mind, regardless of the quality of the journalistic work, this is mainly due to the fact that the radio does not really stage the information it delivers. Keeping that in mind, the media considered the most credible is, therefore, the one which delivers raw information. In many cases, television’s formal dimension tends to create a little bit of suspicion about the authenticity of the information it provides. Finally, as for the print media, there may be, here and there, some perception problems such as the dependency on brands investing in advertising campaigns and the impression that some superficial issues take on an exaggerated  importance.

Personally, what information resource do you trust the most ?

I make extensive use of our live information platforms (RTSINFO), whether via the website or mobile apps. I also use my tablet to watch replays of our news programmes and always wake up with our first radio channel’s morning information show. In addition, I still take a quick look at the newspapers, as well as their websites each morning. Finally, I save the weekly publications for the weekends.

The internet and digital transformation are creating new challenges in media. Is this an ‘evolution’ or a ‘revolution’? How does the RTS embrace this change?

We are clearly talking about a powerful revolution which is, in my opinion, as siginificant as Gutenberg’s was. It is changing everything – from media production to the way information is distributed and not forgetting the public’s expectations and behaviour. Having the opportunity to experience and be part of such a mutation in professional life is both stunning and fascinating!
We, at the RTS, are of course also impacted and shaken by this phenomenon. But we have been bracing ourselves for this situation since the beginning of the 2000s. So, we now have experience and the public has perfectly identified our interactive offers. Nowadays, we bet on mobility and recommendation and we are lucky to be able to rely on quality content both in terms of radio and television, which is our property and which we can then re-offer through all our digital platforms. I believe the public service has a real responsibility on that front: to accompany the audience in this great digital switchover while preserving the central values of independence and transparency. What an extraordinary challenge!

Gilles was interviewed by Gorkana’s Anthony Saison.